- Features
- Continue Watching
Stopping Is Not Quitting
Most viewing sessions end in the middle of something. Vodlix remembers the exact position, shows how much is left, and offers Resume on whatever screen the viewer opens next, with Play from beginning right beside it for the times they want to start again.
The Two Minutes That Decide Whether Somebody Comes Back
A viewer who stops forty minutes into a film has not rejected it. They have run out of evening. What happens the next time they open your service decides whether those forty minutes turn into a finished film or into a thing they never got round to. If they have to remember the title, find it, start it and then drag a scrubber to roughly the right place, a meaningful number of them will simply watch something else instead. Continue watching removes all of that. One button, in the first place they look, with the position already correct. It is among the least glamorous features in streaming and among the few that measurably changes completion rates, because it removes friction at exactly the moment a viewer is deciding whether to bother.
A progress bar under the artwork and the minutes remaining beside it, so a viewer can see at a glance whether they have twenty minutes left or two hours before deciding what to start.
Stop on the television, resume on the phone. The position belongs to the account rather than the device, which is the entire point, because people do not watch one thing on one screen.
Play from beginning sits directly beneath Resume. Somebody rewatching a favourite should not have to fight a position the platform is convinced they want.
Fifty Three Minutes Remaining
The number matters more than the bar does. A progress bar tells somebody they are partway through. The minutes remaining tell them whether this fits in the time they actually have, which is the real question anybody asks at half past ten on a weeknight. On a phone the two sit directly above Resume, so the decision and the action are in the same glance. Underneath, the ordinary things a viewer wants at that moment are all present without hunting, adding it to their list, rating it, sharing it or downloading it for a journey. Those are covered under add to list and like and dislike. What matters here is that stopping and restarting is not treated as an edge case bolted onto a player, but as the normal way people watch.
The Viewer Can See It, and Clear It
Behind the Resume button is a record, and viewers can read their own. Every title they have watched appears with the device they used and the date, and any row can be removed. That last part is not a legal box to tick, it is a courtesy that people notice. Somebody who watched something they would rather not see suggested back to them for the next month can take it out themselves, without writing to support and without a setting buried three menus deep. It also means a shared account stays usable, because one person's viewing does not permanently colour what everybody else is offered. The longer record and what it feeds is described under watch history, and your own view of it under reports and analytics.
A Series Remembers Which Episode, Not Just Which Second
For a film the position is a number of seconds. For a series it has to be an episode as well, and the difference is what separates a service that feels finished from one that does not. Somebody who watched to the end of episode four should be offered episode five, not episode four again at ninety nine per cent. That behaviour comes from the platform understanding seasons and episodes as a structure rather than as a folder of files, which is described under series management. It works the same way on the TV apps and in your mobile apps, because all of them are reading one position from one account rather than each keeping their own idea of where somebody had got to.
Frequently Asked Questions
Have questions about taking advantage of this limited-time offer? Check out the FAQ for answers.