Frequently Asked Questions

Yes. A title has a Translations tab for its name and synopsis per installed language, categories and artists can be translated from their own managers, and artwork can be set per language too, so a viewer browsing in German reads German metadata.

Yes. Vodlix mobile apps are built for touch and small screens, with gestures, thumb sized targets and layouts that suit phones and tablets rather than a shrunken web page.

A single grid with a search box only serves viewers who already know what they want. It abandons viewers browsing by mood and those arriving from an advert, which is why Vodlix offers spotlight, categories and a full listing.

The Vodlix Spotlight places the titles you are promoting at the top of the listing on web, mobile and TV, so a viewer who arrived from an advert sees that title immediately rather than alphabetised among thousands.

Yes. The Vodlix full listing shows every title in the catalogue with sorting and filtering by title, release date, popularity or recent additions, so the completist has direct access to everything.

Yes. Vodlix lets you set default sort orders and available filters for the full listing, so the catalogue is presented the way viewers actually think about it.

Yes, from the admin side, where the catalogue can be filtered by conversion status as well as by publish state, monetization model and type. That is how you catch a title that failed to encode before a viewer finds it rather than after.

Yes, one catalogue with two views. A correction made in the admin appears to viewers immediately rather than requiring anything to be republished, which is the point of not keeping a separate copy for the front end.

Telecoms, cable operators, hotels, campuses and enterprise networks benefit most, because they control the network between the headend and the subscriber and can deliver live channels at broadcast scale.

They should be, and that is the point of running one platform underneath. The catalogue, guide, entitlements and account are shared regardless of how a stream physically reached somebody.

Yes, you can upload audio and video content with multiple audio tracks, allowing your viewers to watch their favorite shows in their preferred language.

Yes, Vodlix's video player supports subtitles and multi-audio in multiple languages, allowing your viewers to watch their favorite content in their preferred language.

Yes. Vodlix multilingual content lets every title carry its own translated title, synopsis and metadata per language, so the catalogue itself is localised, not only the interface.

Translations are stored on the title itself, one panel per language beside the media and artwork, so a translated synopsis travels into every row, search result, recommendation and app.

A Vodlix title can carry multiple audio tracks, combining the original language soundtrack with as many dubbed versions as its stream holds. The player lists every one of them in its Audio track menu.

Viewers open the Vodlix player's Settings menu and pick a language under Audio track while the title plays, switching between the original and any dub without restarting playback.

A dubbed title is actually watched in a market rather than merely being technically available, which shows in completion rates and retention when a Vodlix service expands internationally.

The track marked as the default in the title's stream, normally the original language. Mark the track most of your audience should hear as the default, because many viewers never open the audio menu at all.

Yes. The same tracks are listed wherever the title plays on the Vodlix player, and its TV interface has a Subtitles and Audio panel built for the remote. A track choice applies to that viewing; the next title starts on its own default track.

There are 61 notification events: 26 for viewers and 35 for your admins. Viewer events cover sign-up, passwords, payments, subscriptions and calendar reminders. Admin events cover videos, series, payments, settings changes and admin sign-ins from a new device.